Varied In the Solo Violin Notes

Posted by admin | Posted in Afro-American Music | Posted on 07-01-2011

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The Lakshminarayana Global Music Festival organized a unique workshop called World violins for musicians, retirees and students of music on Tuesday. The workshop was an approximation by violinists from various styles and forms. The event began with Dr L Subramaniam explains the idea behind the workshop.

“We have put in legendary violinists around the world and we want people who are interested in the violin, to be able to interact with them,” he said. It was followed by Ms Lalitha, who went on to describe the history and techniques of Carnatic music and South Indian version of the violin.

While she warmed up the audience with the details of the Indian version of the violin, Mark O’ Connor, an American violinist took everyone to the other end of the world. Mark started his presentation with the Blues style of music which he explained as the foundation of the American music.

He also spoke about the importance of acquiring the language of music in the early years if one aspires to be a musician. The presentation was interesting as he demonstrated every technique and style on the violin.

He played a few tunes of Blues music after which he spoke about Reggae – which was based on sync tunes – and Hoedown, which is a cross pollination of European and Afro-American tunes. His presentation ended with Jazz, which involves a lot of improvisation.

There were quite a few questions from the audience, one of which involved the levels of violin playing and kind of curriculum which one could follow. Mark answered the question in an interesting manner, asking students to mix influences and create their own music.

“Improvisation is a wonderful vehicle,” he said before playing a single tune on the violin and then using different notes to represent different emotions and creating a new tune.  The final artiste for the evening was Catherina Chen, a Western classical violinist from Norway. She spoke about the various eras of music and the artistes in those eras. She started out with the Baroque era and went on to Classical and Romantic eras, all of which had their own peculiarities.

“I am pleased that the romantic era, because the artists started playing their own music, instead of playing for others,” she said. She also played a couple of legendary musician and Bach also showed different techniques that can be used while playing the violin.

Museum and Library Services Act: President Obama Signed

Posted by admin | Posted in Obama | Posted on 24-12-2010

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On December 22, 2010, President Obama signed into the Museum and Library Services law, Act of 2010(S.3984).

With some important changes, the new law reauthorizes the existing programs of the Institute of Museum and Library Services. The updated language calls on IMLS to take an active role in research and data collection and to advise the President and Congress on museum, library, and information services. This Act also clearly recognizes how libraries and museums contribute to a competitive workforce and engaged citizenry. New language focuses on the development of essential 21st century skills.

“The Museum and Library Services Act represents our national commitment to the institutions that are essential to building strong and vibrant communities”, said the Act’s principal author, Sen.Jack Reed (D-RI) while speaking to the Senate floor. He also added to his words that through a relatively modest federal investment, this law helps build capacity to support and expand access to library and museum services at the State and local level. The other original sponsors of the Museum and Library Services Act of 2010 were Sen. Tom Harkin (D-IA), Sen. Mike Enzi (R-WY), and Sen. Richard Burr (R-NC).

The legislation advances the roles of libraries and museums in education, lifelong learning, preservation and workforce development. IMLS has been particularly active in providing leadership to align the activities of libraries and museums around our national priority for an educated workforce, a priority of the Obama Administration and essential for a 21st century global economy. Many of the statutory changes update current language to recognize the vitality and utility of the nation’s libraries and museums.

The expanded authority facilitates IMLS’s evolving role as a partner with other federal agencies. The ubiquity of the nation’s 122,000 libraries and 18,500 museums, the trust invested in them by their communities, and their focus on learning and community engagement make them outstanding partners in furthering our nation’s policy goals in a whole host of areas including health, education, cultural preservation, the environment, and global awareness.

Polo black man a mask to rob banks in the U.S.

Posted by admin | Posted in Afro-American News | Posted on 17-12-2010

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The thief totally misled police of Ohio, who was looking for an African-American suspects in several months. The police even arrested a young black man who resembled the Pole’s “alter ego”.

The innocent man spent several months in prison for bank employees and even his own mother was identified as the culprit. Zdzierak SPFX Masks bought the mask, a company that manufactures silicone masks very realistic for Hollywood films, with hands to match the black leather.

U.S. police suspect that Zdzierak was not the only criminal, it is disguised with a mask SPFX, and that the company has presented America’s most wanted bank robbers. Rusty Slusser, owner of the company, told the Los Angeles Times that he was “proud” of masks as realistic, but not proud of how they are used.

Zdzierak was arrested after his girlfriend took one of his masks and stole money from a hotel room and phoned the police. Detectives who searched the Polish immigrants, won two of his masks – a young black man and white old man, and videos with Zdzierak port “The Elder” mask and try to speak as a senior. The Association also wrote notes when he speaks of “kill the police,” Ted Bundy, Charles Manson and the massacre at Virginia Tech.

Zdzierak pleaded guilty to using a mask to change his identity for six robberies in Ohio, in April. The pole will be sentenced next month.

Bouncing cats, A new Film by Elderkin, Shows how Hip-Hop Lives Forces around the World

Posted by admin | Posted in Afro-American Music, Black Entertainment | Posted on 03-12-2010

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Hoppe Cats, the new documentary film shot and directed by Nabil Elderkin, tells the moving story of Abramz Teki, the association he founded, and hip-hop pioneer Richard “Crazy Legs” Colon travel the famous Rock Steady Crew to Uganda. Elderkin follows the famous B-Boy and more than a few members of his crew as they travel to Uganda to teach breakdancing to urban youth in Kampala (Uganda’s capital) and in the war-torn region of northern Iraq.

Although the B-boys in Uganda are Crazy Legs euphoric after his place of birth, the trip is as Crazy Legs and galvanizing effect on his life. Abramz Teky Break Dance Project Uganda started in 2006 as a means to improve themselves and those around him to initiate social change. offers free dance lessons twice a week, hip-hop is a tool used to bring people Abramz organization, but he tries to do much more than teaching people how to dance “We are a hip-hop, but We are not only promote hip-hop culture.

We use hip-hop to authorize people to help people. That is why when people come to our program, we usually try to help them determine, learn more about them instead of just b-boys and b-girls. We understand that we want to be in IT. People want to be writers, photographers, videographers, but they have no opportunity, so when they come to us as an organization, we try to see how we can use our influence and connections to help them their dreams. Thus, some people have computer skills, or get the charges back to school, there are so many things.”

Nabil Elderkin was first introduced to Abramz and BPU through a mutual friend working for OXFAM in Northern Uganda. He was traveling through the region documenting the conflict areas with his camera. Having shot and directed music videos for hip-hop artists such as The Black Eyed Peas, Kanye West, and K’Naan, he was pointed in the direction of BPU in Kampala where he met Abramz. He was amazed by what he saw and committed to come back to document the amazing work Abramz was doing. He pitched the idea to Red Bull who eventually produced the film and connected Crazy Legs with the project.

“I’ve been signed to Red Bull as an athlete for 7-8 years. They presented it to me, it’s a trip to Uganda, Africa, there’s no money involved and I was like hell yea, I’m down, let’s do this. But for me I was into it more for selfish reasons. I’m going to go to the home of the beat, because for me that’s where breakbeats started,” Crazy Legs described what attracted him to the project originally. “I didn’t really understand the full scope of what I was about to be involved with, and the depth of the situation over there. It became more of a mission after I came back.”

Some of the film’s most compelling footage is seeing Crazy Legs and the other members of his crew interact with the members of BPU and discover how much they share. When the founding members of BPU and Rock Steady first meet, Crazy Legs stresses what they have in common, “It’s important for you to know, this isn’t something that came out of America, this came out of the South Bronx. The South Bronx at that time could have been any third world country, and that’s what we have in common, the fact that we all come from shitty conditions, we’re born poor. This didn’t cost me anything as a child, anything I wanted to do cost money, whether it be boxing, baseball. Any sport we wanted to do cost money, but this…(he starts tapping a beat on a table and bopping his head), and you start doing your thing.”

Crazy Legs and his crew then continue on their journey, teaching workshops organized by BPU in Kampala both in a community center auditorium as well as in the middle of Kissini, a slum community of over 30,000 people living without running water or adequate sanitation. The experience visibly affects Crazy Legs as he walks through the streets and sees children walking through mud with bare feet, playing with machetes and sniffing glue to ease their hunger pains. He comments in the film, “I felt like I was in hell for a second, and it has nothing to do with the people, but the conditions.”

While the experience of seeing the most poverty-stricken area in urban Kampala is a powerful experience, traveling to the village of Gulu, in Northern Uganda is even more dramatic. Much of Northern Uganda remains devastated by a civil war where children were abducted and forced to become child soldiers, innocent by-standers had their limbs and/or facial features amputated, and girls as young as 12 or 13 were raped. Abramz Tekya bravely travelled to Northern Uganda at a time when no one dared in order to bring BPU to the people of the region as a means of recovery and recuperation for their spirit and to provide a sense of hope.

Director Nabil Elderkin displayed a delicate balance in his selection of graphic images from the Northern conflict area. While he didn’t want to alienate any members of his audience, he wanted to show the gravity and reality of the situation, “It’s a fine balance with any graphic imagery. I just wanted to show conflict, I wanted to show them this is the reality; this is the situation they’ve been put through. Without adding extra layers that don’t need to be there, it’s all about putting it into context, and not exploiting.”

It’s in Northern Uganda, during a workshop led by Crazy Legs and his crew that Rocksteady is on the receiving end of a dance lesson. Abramz explains in the film that when he first ventured to Gulu, he would only teach the local kids b-boy moves after they taught him one of their tribal dances, and committed to teach each other. In that tradition, the kids in Crazy Legs’ workshop perform their tribal dances for him, and he and his crew become the students.

One of the major themes of the film is seeing the artform of hip-hop and breakdance come full circle and return to the ancestral source of their creation. While hip-hop culture evolved out of the cultural and socio-economic milieux of mid-1970’s South Bronx, the cultural practices ingrained in the Afro-Caribbean and Afro-American values that spawned urban hip-hop culture all trace their lineage back to Africa. Abramz is acutely aware of that lineage and encourages those he teaches to incorporate their traditional African dances into their b-boy moves.

Hip-hop artists such as Mos Def, will.i.am, and K’Naan all comment on the relationship hip-hop has to African culture. Born and raised in Somalia, K’Naan has the most personal insight on the subject matter. He comments in the film, “The songs have a universal feeling of struggle, and hope and overcoming the odds. These are the stories that humanity is made of and for that reason it connects wherever the music is heard.”

Nabil Elderkin commented on hip-hop coming full-circle, returning to the source, “I thought it was really beautiful, that’s one of the things that inspired me the most about this project, it was seeing something I’m involved with my work in photography and music videos, seeing this music and artform come full circle seeing the place where the beat originated. As K’Naan said in the film, there are poets who have been using drum beats and speaking poetry for thousands of years. I’m sure it was all over Africa, I’m sure the beat has been going on for thousands and thousands of years and somebody was saying something to that beat.”

Ambramz confirmed the hypothesis of Nabil, “Before I even listen the word rap, the thing is, people in Uganda have been rapping before we even knew it was the word rap. It was quite traditional; it was not even in the cities, the traditional culture. There was a rhyme that people people used to recite the King, and also in the community, but more often in major ceremonies. They called it ebieontonte. Even the grandparents of our grandparents do. So, rap has been around for generations. This is not something that is really new.”

Breakdance Project Uganda is presently conducting a fundraising campaign to build their own community center in Kampala. Crazy Legs and Red Bull are committed to helping BPU raise funds to build a community center where they can not only learn to breakdance more children, but also teach children to use computers, art seminars, and conducting various other community building activities. Crazy Legs has commented on the process, Red Bull is a great thing. At the end of the day we got involved in something that we saw was much larger than expected. And when you realize there are shares.

There are many people who are aware, but knowledge without action is useless. Red Bull has made sure that even if it was another type of project, they decided to get involved in helping to create a website, create a means of obtaining donations, helping to get the NGO status and other things. We do not go there and leave the paper and say hey we have made great movies. We documented, we left and we stayed in because I think the relationship will still be there at least on my part.

Prince of Gospel Appear in Wayne

Posted by admin | Posted in Afro-American Music | Posted on 26-11-2010

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Prince of gospel appear in Wayne. The Wayne traditional people attending worship, Temple Beth Tikvah, and the coordinator-YWHA of Northern New Jersey are combined to achieve a vibrant community celebration at the pre-Chanukah with Joshua Nelson and his Kosher Gospel Singers and the band on Sunday 21 November at 15:00 at the Y is on a tour of Pike Wayne.

For Nelson Kosher Gospel is a way to recover their identity as African-American Jew. For your age, whatever their faith or heritage, kosher gospel was a revelation. Nelsons appearance on the Oprah Winfrey helped catapult his career when he named The Next Big Thing in music.

He and his Kosher Gospel Singers and the band played with such notables as Aretha Franklin, Jamie Fox, Maya Angelou, Ashford and Simpson, Cicely Tyson, Harry Belafonte, Stephanie Mills, Dionne Warwick, Melba Moore, and the Klezmatics the Presidents Bill Clinton and Barack Obama, and even European royalty. These visits following dates and in Sweden and Spain. Beware! His energy and charisma are infectious with the audience can’t sit!

Tickets are reserved seats $ 36 for adults and $ 18 for students and children under 18 Premium seating is available for $ 54. Sponsorships range from $ 540 and $ 3,600 is also available at a very special event. Call 973-595-0100, ext. 237 tickets or EXT. 228 sponsorship information.

Greg Howe Come And Get

Posted by admin | Posted in Afro-American Music | Posted on 19-11-2010

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It is Wednesday night and the city has an appointment with Greg Howe. Given his powers, at least half of the city should have paid the Theatre Museum. But there is hardly a village. Franks has served Halos mood and open to Greg Howe, competing for the last meter of the chase band. Maybe people will start arriving soon. Rows of empty chairs and a bunch of old boring the show are agonizing.

Greg-Howe-Come-And-Get

Franks has served Halos mood and do everything possible to rock the place, but nobody moves. There are a couple of teenagers and a group of strangers. The same expression is tired of all the faces. The place is dead. One of the biggest destroyers of the planet, Howe played with NSYNC, Justin Timberlake and Michael Jackson. But it is played with rock bands. All I could be all this hype about?

Most people seem to have bothered with a concert in the middle of the week seems they are there only because I had nothing else to do and I wanted to experience the experimental jazz fusion. Jazz-fusion shredder really interesting … However, the night seemed endless. The weather had suddenly decided to stop. Sound adjustment took hours. The theater seems to have been gassed with a strange mixture of boredom poison and darkness. The only place where there was a bit of light was a pale yellow spot on stage. We saw only shadows moved. Sound setting.

Finally Saroop Oommen of Unwind Center decided to go on stage. After a long discourse on the guitars HMI, one of the sponsors Saroop finally blessed the audience with Greg. On the stage is a tall, thin African-American with two skin-heads and Italian drummer. Neither Greg nor his band mates look like they can do a lot. Saroop Oommen of Unwind Center introduces the band. There is a small groan was someone to encourage and Greg reached the notes. All hit inadvertently. One minute was dead faces replaced the eyes and mouth wide open gasping for air.

There are others that musicians take the stage. Everyone is agape that nobody seems to notice. The guitar sound is deafening. One million tickets flight guitar Greg at the speed of light tear Theatre Museum together. Greg stage for the first time in India, and saw its reputation as one of the most destructive in the world. His self-titled album on 10 ranked albums biggest flap of all time by Guitar World magazine. Greg is Trey Anastasio, guitarist, and McLaughin Malamsteen rolled into one.

Rocking: Anyway, most people in the grip of a crowd had no idea what had happened to them. A look around and wonder of the world, what is happening on stage? The few whites in the capture of people, pointing to India surprised and laughing. The first song is done. The public has survived the first of many brutal attacks jazz fusion that has been torn to follow.

The second song begins with Jude Gold, guitarist accompanying wah-wahing followed in his guitar solo up Greg. Crusher played blues style. The song has a great blues tune heavy. Greg biceps are bulging, his veins to explode with the energy of the song. Kevin Vecchione, the bassist, who nearly broke his hip grooving. It was one of those rare occasions where more than admire the elegance of the Theatre Museum and the music you are more afraid of life, you start to wonder if age structure is strong enough to resist bestial terror front metal shredder you. Greg humbly accepts the applause he receives little. He has won some fans in India.

The next is a tribute to Stevie Wonder. There is still hope he will get the respect it deserves, but Greg is fast fingering techniques and obscene are Greek to most people. By now most of the oldies, most in the crowd lost interest. Although lasers smoke machines and loud moody can’t capture the public interest. All Greg could do with his Stevie Wonder tribute was created a couple more blank looks. People seem more interested in music, most are busy chatting or messaging. Once when you get a solo soaring something close to a melody that people can identify all of a sudden all the attention turns to the stage, then roll again.

Vocal surprise: Lacked the place was not good music, was the lack of advertising. Relax amid the excitement surrounding Greg Howe first visit to the Indians forgot the importance of organizing a concert, a good publicity and good games sound technicians have been everywhere in the control of the stadium lease their equipment and things in order. . One to wonder what part of one of the greatest shredders Relax do not get to the next song, another tribute to Stevie Wonder, Greg and his band are joined by Benny Dayal songs for a change. Superstitious by Stevie covered by Benny and Greg. It was brilliant. For once, the crowd could relate, and then came the solo. For once, people were listening to Greg, to admire the genius of the greatest virtuosos of the guitar ever.

Greg quickly realized the error in his first Indian concert. Anyone can churn countless notes and play riffs with heavy metal music, so it takes a genius to create soulful melodies. People on this side of the planet are not accustomed to grinding and a million notes a second flight from a single guitar. Give them up and they will love you. Greg announced today that the next piece will be a slow process. What you are witnessing a melodic nuance. People actually appreciate the talent of Greg. But soon, things are back to square one: shredding beast. Jude attempt to communicate with the crowd with a smile is met with a look of disdain.

Greg finally gives up in Chennai and announced that the next piece will be his last with an additional sentence; I am so disappointed you are. He plays his last song shooting hundreds and thousands of notes on the crowd. No one bothered. The entire world, including Greg, wanted to leave room for good. The concert ended without much joy or rocking.

Rock Reggae Kings

Posted by admin | Posted in Reggae | Posted on 12-11-2010

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It is not chance that the prize for Kiwi reggae band Katchafire, fourth and latest album is called On the Road Again. There have been over the last three years. The band has toured faithfully throughout New Zealand, Australia, Pacific (including Hawaii) and the United States, title shows and festivals in and call anywhere in more than 30,000 people in 2000.

Tomorrow we return to Invercargill is Saints and Sinners for the first time in 28 December last year. Katchafire keyboardist and saxophonist Jamey Ferguson said, we had a little break as soon as early January, then hit hard and we are still running.

It‘s a bit disappointing to play smaller venues, after the stages Arena San Diego, Southland Times suggests. Not so, “he says. Saints have a decent-sized club. I like a little less of myself, when the whole band is a bit closer to each other. A nice little scene where you can almost touch the best performance.

Ferguson joined the group of five concerts in its existence in 1997 when he was touring for much of his life, but says he never stopped to think what might lie beyond music and Katchafire nomadic lifestyle. “I have not really thought about that yet, “he said. I think when my fingers are falling and I am going deaf…

A lot of Internet buzz keeps rolling mill Katchafire. Ferguson said that many people have their concerts already know the songs from his latest album, so it’s a good sign. Invercargill Your visit is a stop on a national tour that takes them from top to bottom. As the New Year will be back on the road with Black seed for three weeks and then there are the summer festivals and another trip abroad.

Ferguson stories that he feels like a break from the tour every two days and then get up the next day. He acknowledges that is a cool lifestyle. He is very relaxed, not as strict about the hours. You get to see the world, many for free, eat well, and know many good people. We are very happy.

Obama’s Visit: the Joy of India

Posted by admin | Posted in Afro-American Politics, Obama | Posted on 29-10-2010

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Bangalore: the visit of President Barack Obama to fuel an emerging Indo-US relation in many ways. Obama, who is a ‘not-so-privileged’ African-American background, it is said to feel “some kind of personal relationship” is a great story of India in 1900. Component, however, economic and trade has underlined the emphasis of his historic visit to India, Indo-US relations into a new career. Many raised eyebrows, and if this will be plenty of both, or Obama returns home deals in your pocket to give at least in India?

India is a large potential market for U.S. exports; the president will boost trade and investment relations better. It would take initiatives to remove all obstacles such as outsourcing controversy in the War of the changes to improve trade ties with India’s largest trading partner of the United States 14 The recent increase in visa fees, which Indians feel is very discriminatory, it could also be part of the agenda for discussion. While India should express concern about rising protectionism in the United States after the economic slowdown, the U.S. India may seek to open key sectors such as defense of livestock, retail multi-brand and financial resources to foreign investors.

In an attempt to double its exports in the five years he hopes to stimulate growth and job creation, Obama will push the administration to improve bilateral trade in goods and services with India, which is 50 billion U.S. dollar at present. It is obvious that Obama will press India to open its massive untapped business opportunities that will benefit both countries. “India is truly one of the most important new economic relations with the United States, both multilaterally and bilaterally. We work very closely with India in the G-20”Sub-Adviser Michael Forman national security was cited by Reuters.

The future of outsourcing is a hot topic under discussion, given that Indian companies are the second largest investor in the fastest growing in the United States will support about 57,000 jobs. In this way, contributing to a relatively balanced world trade will benefit both countries. India underlines the fact that the easing of controls on U.S. exports in high technology and dual-use items to boost bilateral relations and eventually benefit both. “We believe that the abolition of the provision of export control of dual-use high technology and dual inspire even more confidence in bilateral relations and understanding,” the minister said Nirupama Rao mentioned IANS.

Besides the economic dimension, there are critical interactions on topics such as energy, education, infrastructure, aviation, space, defense and biotechnology. weight growing recognition of India in the global economy, the Obama administration is looking to India as a strategic partner of choice in the region and around the world and therefore considers this visit as one of the most important bilateral economic relations emerging. However, based on the history of our relationship with the United States, many believe that India should give proper thoughts and seek expert advice before signing any agreement with the United States.

Instruction of the Obama Disaster

Posted by admin | Posted in Afro-American News, Afro-American Politics | Posted on 22-10-2010

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A few say that the problem with us progressives as this time of crisis is that we do not have an alternative paradigm to pit against the discredited neoliberal paradigm. I disagree. I think the elements of the alternative based on the values of democracy; justice, equality, and environmental sustainability are there and have been there for some time, the product of collective intellectual and activist work over the last few decades.

The Politics of Failure

The key problem is, in my view, the failure of progressives to translate their vision and values into a program that is convincing and connects with the people trapped in the terrible existential conditions created by the global financial crisis. This is a process that is preeminently political, that is, a fluid enterprise where one translates one’s strategic perspective into a “tactical program” – for want of a better word – that take advantages of the opportunities, ambiguities, and contradictions of the conjuncture to construct a critical mass for progressive change from diverse class and social forces.

It is therefore important for us to look at the political experience of the global progressive movement in order to understand why our side has been derailed and how we can fight back to political relevance. The experience of the Obama presidency in the US is, in my opinion, rich in this regard. In the American political context, Obama is a social democrat, and his candidacy was supported by the broad left. There was no illusion that he was anti-capitalist, but there were expectations that he would initiate a program of recovery and reform similar in ambition to Roosevelt’s New Deal. The electoral base that brought him to power was full of potential, being one that cut across class, color, gender, and generational lines. His ability to bring this base together on a message of change achieved what was then thought to be impossible – the election of an Afro-American as president of the United States – and showed how social and political structures can be made to bend by smart political leadership.

Two years after his spectacular electoral victory, President Barack Obama and the Democrats face a rout in the US polls in early November. Indeed, Obama and his party remind one of a rabbit on the railroad track that is hypnotized by the light of an oncoming train. What happened? Whereas Obama seemed to do all the right things in his quest for the presidency, he seemed to make all the wrong moves as chief executive.

His prioritizing health care reform, a massively complex task, has been identified by many as his key blunder. I think this decision certainly contributed to the debacle, but there were a number of more important factors that relate mainly to his handling of the economic crisis, which was the primordial concern of the electorate.

Six Reasons behind the disaster
First of all, as the Times of London commentator Anatole Kaletsky has pointed out, Obama took responsibility for the crisis. In his quixotic quest for a bipartisan solution, he made George W. Bush’s problem his own. This was something Margaret Thatcher and Ronald Reagan never did. They took no responsibility for the economic problems of the 1970’s, heaping the blame totally on their liberal predecessors and eschewing any bipartisan alliance with those they considered their ideological enemies. This tough stance towards ideological foes was also characteristic of Roosevelt, who did not hesitate to slam – and slam hard – those he termed the “economic royalists.”

Second, in so far as Obama and his lieutenants picked a group to portray as villains, this was Wall Street. Yet saying the financial elite brought on the crisis while bailing out key Wall Street financial institutions, ranging from Citigroup to AIG, on the grounds that they were “to big to fail” involved Obama in a terrible contradiction. The least that he could have done was to remove the existing boards and top managers of these organizations as a condition for government funds. Instead, unlike in the case of GM, they were retained and continued to collect sky-high bonuses to boot.

The strong sense of a disconnect between word and deed was exacerbated rather than alleviated by the Democrats’ financial reform. The measure did not have the minimum conditions for a reform with real teeth: the banning of derivatives, a Glass-Steagall preventing commercial banks from doubling as investment banks; the imposition of a financial transactions tax or Tobin tax; and a strong lid on executive pay, bonuses, and stock options.

Third, Obama had a tremendous opportunity to educate and mobilize people against the fundamental factor that brought on the crisis: the neoliberal or market fundamentalist approach that deregulated the financial sector. While Obama did allude to unregulated financial markets as the key problem during the campaign, he refrained from demonizing neoliberalism after he took office, thus presenting an ideological vacuum that the resurgent neoliberals did not hesitate to fill. Probably a major reason he did not launch a full-scale ideological offensive is that his key lieutenants for economic policy, National Economic Council head Larry Summers and Treasury Secretary

Tim Geithner, had not broken with neoliberal thinking.

Fourth, the stimulus package of $787 billion was simply too small to have a significant effect, that it is, to bring down or hold the line on unemployment. Here, Obama cannot say he did not have good advice. Paul Krugman, the Nobel laureate, and a whole host of Keynesian economists were telling him this from the very start. For comparison, the Chinese stimulus package of $580 billion was much bigger relative to the size of the economy than the Obama package. For the White House now to say that the employment situation would now be worse had it not been for the stimulus is, to say the least, politically naïve. People operate not with wishful counterfactual scenarios but with the facts on the ground, and the facts have been rising unemployment, with no relief in sight.

Politics in a time of crisis is not for the fainthearted, and the middle-of-the road approach represented by the size of the stimulus was the wrong response to a crisis that called for a political gamble: the deployment of the massive fiscal firepower of the government in the teeth of the predictable howls of anger from the right.

Fifth, Obama and Federal Reserve Board Chairman Ben Bernanke deployed mainly Keynesian technocratic tools – deficit spending and monetary easing – to deal with the consequences of the massive failure of market fundamentalism. During normal downturn these countercyclical tools may suffice to reverse the downturn. This was, however, a very serious collapse that standard Keynesianism could address in a very limited way. Besides, people were looking not only for relief in the short term but for a new direction that would enable them to master their fears and insecurities and give them reason to hope.

In other words, Obama failed to locate his Keynesian technocratic initiatives within a larger political and economic agenda that could have fired up a fairly large section of American society. This agenda could have had three pillars: 1) the democratization of economic decision-making, from the enterprise level to the heights of macro-policymaking; 2) an income and asset redistribution strategy that went beyond increasing taxes on the top two per cent of the population; and 3) the promotion of a more cooperative rather than competitive approach to production, distribution, and the management of resources. This agenda of social transformation was hardly too left and could have been accommodated within a classical social democratic framework. People were simply looking for an alternative to the Brave New Dog-eat-dog World that neo-liberalism had bequeathed them. Instead, Obama offered a bloodless technocratic approach to cure a political and ideological debacle.

Related to this absence of a program of transformation was the sixth reason for the Obama debacle, which was his failure to mobilize the grassroots base that brought him to power. This base was diverse class-wise, in generational terms, and in terms of ethnicity but it was united by palpable enthusiasm, an element that was so evident in Washington, DC, and in the rest of the country on inauguration day in 2009. With his preference for a technocratic approach and a bipartisan solution to the crisis, Obama allowed this base to wither away instead of exploiting the explosive momentum it possessed in the aftermath of the elections. At the eleventh hour, Obama and the Democrats are talking about firing up and resurrecting this base. But the dispirited and skeptical troops that have long been disbanded and left by the wayside rightfully ask: around what?

The Right Makes the Right Moves

In contrast to Obama, the right understood the demands and dynamics of politics at a time of crisis, as opposed to politics in normal times.

While Obama persisted in his quest for bipartisanship, the Republicans adopted a posture of hardline opposition to practically all of his initiatives.

Unlike Obama and the Democrats, the right posed the conflict in stark political and ideological terms, between left and right, between “socialism” and “freedom,” between the oppressive state and the liberating market, using all the catchwords and mantras they could dredge up from American bourgeois ideology.

Finally, in contrast to Obama’s neglect of the Democratic base, the right eschewed Republican interest-group politics, with Fox News, Sarah Palin, and the Tea Party movement stirring up the right-wing base to “capture” the Republican Party and drive a no-compromise, take-no-prisoners politics. Here it is useful to adopt Arno Mayer’s distinction between conservatives, reactionaries, and counterrevolutionaries to understand what has happened to the Republican Party in the last few weeks, with the string of successes in the primaries by the Tea Party movement. In Mayer’s terms, the counterrevolutionaries, with their populist, anti-insider, and grassroots-driven politics are displacing the conservative elites that have long held sway in the Republican Party.

With their anti-spending platform, the Republicans and Tea Partiers that might capture the House and the Senate in November will probably bring about a worse situation than today. In which case, some argue, Obama and the Democrats might get a second chance to repeat Bill Clinton’s victory at the polls in 1996 owing to the political overreach by the Republicans led by Newt Gingrich after their triumph in the midterm elections of 1994. But this is, in my view, a desperate illusion. These generation’s counterrevolutionaries and their backers are skilled in the politics of blame, and they are likely to be successful in painting the worsening situation as a result wholly of Obama’s “socialist policies,” not of drastic cuts in government spending.

Instruction for the Left
so what lessons can progressives derive from the Obama debacle?

First, the problem lie not so much in our lack of a strategic alternative as in our failure to translate our strategic vision or paradigm into a credible and viable political program.

Second, politics in a period of crisis is different from politics in a period of normality, being more fluid and marked by the volatility of class, political, and intellectual attachments.

Third, politics is the art of creating and sustaining a political movement from diverse class and social forces through a flexible but principled political program that is able to adapt to changing circumstances.

There is no such thing as an objectively determined situation. The art of politics is using contradictions, spaces, and ambiguities of the conjuncture to “bend” structures and institutions and create a critical mass for change. Class, economic, and political structures may condition political outcomes; they do not determine them. Member of the House of Representatives of the Philippines representing Akbayan and senior analyst of Focus on the Global South.

Hip-hop Star Chats Haiti Politics

Posted by admin | Posted in Afro-American Politics | Posted on 15-10-2010

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Candidate Michel Martelly was called to a surprising ambassadorial meeting in Haiti and could not attend the Afro-American Cultural Center-sponsored talk and panel discussion. Prakazrel “Pras” Michel, a Yale-educated, Haitian-American musician best known for his work with the hip-hop trio The Fugees, who had been scheduled to speak with Martelly, stepped in as main speaker. Michel, who is also an official supporter of Martelly, spoke about the junction of his music career and activism and how they influenced his current views on Haitian politics.

“I could not simply stand by and watch Haiti take a course off a cliff,” Michel said of his feelings following the Jan. 2010 earthquake that devastated the nation. “What Haiti needs is not just a leader. It needs someone to motivate them to want to change — and that leader is Michel Martelly.”

Martelly is one of 19 candidates vying for the presidency of Haiti this November. He has his own musical background: he was formerly a recording artist known as “Sweet Mickey.” Another former candidate, who withdrew this August after being deemed ineligible to run, is Michel’s cousin and former bandmate, Wyclef Jean. Jean, along with Michel, is a Grammy award-winning recording artist. His charity, Yéle Haiti Foundation, which raised money for earthquake relief this year, has come under fire for questionable book-keeping.

Michel had much to say about Jean and his candidacy. While he said he admires Jean’s advocacy work in Haiti, Michel said he does not think Jean is the best candidate for president.

“As much as Wyclef can do, he can’t do it all,” Michel said. “He’s not Superman; he’s not the Messiah.”

Following his speech, Michel participated in a discussion moderated by political science graduate student Sheree Bennett GRD ’11 and Haitian TV personality Jacques Napoleon, during which students asked Michel about other issues facing Haiti. Michel said Haiti needs to root out corruption in its government, which he described as “the most corrupted” in the world.

The event was held to draw attention to the recovery effort in Haiti and the country’s current political situation, said Vanessa Obas ’11, president of Klib Kreyol, a Haitian student organization. Obas worked this semester with Ashley Edwards ’12, president of the Yale chapter of the NAACP (YNAACP), to bring Michel to campus.

Dean Rodney Cohen, director of the Afro-American Cultural Center, said that new plans are being made to bring Martelly to campus later this semester.

“Michel Martelly was and is very excited about coming to Yale to discuss his quest for the Haitian presidency,” Cohen said.

Still, Martelly’s absence did not detract from the appeal of the event for students.

“I’ve been listening to The Fugees since their album ‘The Score’ dropped in 1996, so being able to work with Pras has been an incredibly rewarding experience,” Edwards said. “I’m still star-struck.”

Students interviewed after the talk had mixed feelings about Martelly’s candidacy. Chelsea Allen ’12 said that she felt Michel made a compelling argument as to why experience, which Martelly lacks, is in fact a weakness given the corrupt political environment of Haiti.

Others felt more ambivalent about Michel’s speech. Alexandra van Nievelt ’13 said she felt that while Michel spoke engagingly and honestly, he did not convince her about Martelly’s suitability.

“It’s difficult to feel comfortable about Martelly’s political abilities, regardless of his good intentions,” she said.

This discussion is one of a series of events planned by the YNAACP, Klib Kreyol and the Yale West Indian Student Organization — with the support of the Afro-American Cultural Center — to sustain awareness of the still-desperate condition in Haiti, Obas said.